Ironic works based on smudged patterns existed as a form of production that challenged the creation of a mental space within closed meanings, and as a critical space. However, the continuous use of smudged ironic works confined production within its own boundaries. Therefore, the need arose to deconstruct them, to seek a production space that carries their traces but is independent of them. This was a more permeable, more multi-layered space of expression. Each of the deconstructed works carries the trace of the old meaning. Therefore, the term "recycling" suited the production. It is not an approach that rejects the production of the past, but rather a renewed continuation of the production process.